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一(🈯)直(🕕)作為米(👷)路(lù )斯(sī )．科曼劇本鐵(tiě )三(🏽)角（另一位是帕培錫(🕸)，也是(shì )本(🤢)片編劇之一）成員的(🐉)艾雲．巴薩，當(🐮)然也走低度戲(xì )劇路(⏬)線。同是音樂(♑)家的(😎)彼德與卡(kǎ )洛老友重逢，生活(huó )狀(🕖)況(kuàng )大不同，你(nǐ )有伴侶我有家庭，然而都有(🥞)說不出的不(bú )明朗，唯(wéi )有以(yǐ )(🥀)酒與音樂代(🤷)替口(kǒu )水。全片推(tuī )展(🚣)不問目的(de )，只在剎那間的(de )意圖(🦗)，行行企企比起科曼(màn )更(gèng )義(yì )無(✋)反(fǎn )顧，卻有生活淡如(👓)流水的(de )詩(shī )(⛓)意和繆(miù )(🈴)思，叫(jiào )觀(🤷)眾(zhòng )聯想到二十(shí )年後的(💠)伊力(lì )．盧馬(🎋)。巴薩鍾愛音樂的(⚾)程(chéng )度(🌮)不下(xià )於文字和電影，古典音樂與民(mín )間(jiān )音(🦇)樂於全(quán )片迴轉迴盪，難怪成了奇斯洛夫斯(📟)基(🐩)十大心愛(🏒)電(🙎)影之一(yī )。 (📧) (😙)康(🤥)城影(📛)展青年評(📸)審團(tuán )獎(👵)，美國全國影(yǐng )評人協會特(tè )別獎(🔙) (👄) 這部1966年的珍品(🚽)，是捷(jié )克新浪潮短暫(📤)生命中(zhōng )最佳作品之(👩)一。成名音(yīn )(📬)樂(lè )(✖)家到小鎮探訪舊同學(xué )(🏸)，舊同學(xué )是個窮音(yīn )樂教師(shī )，有時在喪禮(lǐ )上(shàng )(🐱)吹奏樂曲(😲)。平凡的素材在巴素手裡，變(biàn )(🚓)出風(🐇)趣復(👆)罕見的旋(🗒)律，一(🌒)部憂鬱的喜劇，或灰(🏗)色喜(xǐ )劇。 - Dave Kehr, Chicago Reader Ivan Passer's (Cutter's Way and Creator) last film to be made in his native Czechoslovakia is about friends – musician Petr and music teacher Karel – reunited when Petr returns to town for a performance. Passer frequently collaborated with Milos Forman and the episodic, low-action aesthetic that was evident in Forman's early work can be seen here. Years of separation have bred apprehension between the two men, and Karel's simmering jealousy makes their meeting all the more awkward. Eventually, the barriers crumble enough for the pair to freely discuss their lives. The film's simple beauty is in the details of the men's reacquainting themselves with each other, discovering each other's regrets and unfulfilled desires. Alive with pathos, humour and insight. Special Award, National Society of Film Critics Awards Its simple city mouse-country mouse story involves the meeting of two former schoolmates as they prepare for a small-town concert. Enlivened by Passer's flair for grotesquerie, this unassuming masterpiece maintains a delicate balance between hilarity and despair. (🏿) - Elliott Stein, Village Voice Source HKIFF Czech New Wave 2006
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